Do not go gentle into that Good Night and for Eleanor Boylan talking with God :: comparison compare contrast essays

Pain and Sorrow in doubting Thomas Do not go gentle into that Good darkness and sextons for Eleanor Boylan talking with God The end our road that is life, is death and the entropy we begin to live, we begin to die. A rendition of death and the loss of a loved one is expressed in two different lights in Dylan Thomas Do not go gentle into that Good Night and Anne sextons for Eleanor Boylan talking with God. Both express the aid and vulnerability of losing someone you thought should live forever Thomas inwardness is an imperative one a dark and tangible energy whereas Sextons tone is more passive and quiet and more impelled by sorrow than anger. But as there is an underlying intellect of sorrow in Thomas villanelle, there is also a champion of quiet anger. In For Eleanor Boylan Talking With God, Sexton expresses the pain of losing a loved one. There is a surreal quality to the poem, Sexton seems to pen as she thinks with a thought inciting a memory she communicates her savou rs in a very literal concrete way but the poem is tacit very abstract because there is so little linking these images, adding on to the feeling that you are looking into Sextons very mind and heart. She talks about Eleanor, a friend who is more beautiful than her mother this intimate compliment can be interpreted as more penny-pinching than even her mother. An aspect of Eleanor that Sexton respects is her closeness with God, there is a child-like trust depicted when the author writes about Eleanor in the kitchen motioning to God. peradventure because Eleanor is wearing a lemon-colored sundress, the reader imagines her with a smile and she feels the acceptance at her own death that Sexton cannot get. Eleanor has more faith than the author in God and who has maintained this faith even when she is dying. Sexton wrote that God had a face when she was six and a half meaning he was a tangible figure. The six-year-old Sexton had a familiarity with God, she knew what he looked like he was her friend, as is the feeling in most children about God. But this image of idol has become a huge jellyfish that covers the sky. There is no rest in a slimy jellyfish and Sexton does not find any comfort in God.